Category Archives: Koi and Ponds

Pimp my Pond

Pimp my Pond by Dr. Bob Passovoy

Well, now you have gone and done it. For whatever reason, you are now a ponder. Your contractor, check in hand, has just vanished over the horizon in a cloud of dust, leaving you with your spiffy new backyard water feature. If you are very lucky and very smart, you will have had the benefit of friends grown old in the hobby and a contractor who knows his stuff. If you have the usual beginner’s luck, you’ve got a shallow hole in the ground with about 24 to 36 inches of water in it, a few (expensive) sacrificial koi, a skimmer at one end and a tub of water at the other, casting a wonderful smooth sheet of water into the (for a while) limpid depths.

This is the most dangerous time for a ponder. The Three Laws have bit you and the First Law (There is always a better fish) is generally the initial force to take hold. It is too early for you to realize the force of the Third Law (There is never enough water). You haven’t had the chance yet to overstock and overfeed.

You’ll find the sheer power of the Second Law growing as you gain experience and sophistication. It is of the Second Law we speak. There is always a better filter. For filter, substitute GADGET.

As your pond increases in size and your expertise grows with experience, you’ll begin to notice…deficiencies…in the way your system handles stress, weather, fish load and water quality, and you’ll be looking for ways to fix them.

Forthwith, a series of challenges and what could, given the right conditions, develop into a very impressive Christmas wish list.

Challenge #1 occurs as you settle into the hobby and your fish grow in size and numbers. Your water warms up as it is bathed by the sun’s happy rays and you have achieved…ALGAE! It starts as a faint green tinge to the water and suddenly you can’t see the fish. You need a solution because you read somewhere that floating microscopic algae sucks up oxygen in the dark. Off to the pet/sortapond store where the guy tries to sell you a bottle of something that is guaranteed to kill off all the algae in your pond, no worries. Just in time you remember that any chemical you put in, stays in until you can water-change it out. You also reason that the proteinaceous gook that’ll collect as the plant life dies will stay in the pond forever as well, giving you that healthy head of foam at the foot of your falls and that odd brown tinge to the water. So, nope. No chemicals. You needs a GADGET! There are a few.

First up in your mind are UV (ultraviolet) clarifiers. These are not filters as such, nor are they “sterilizers” unless you are ready to shell out several thousand dollars on an industrial-strength array capable of knocking a GPS satellite out of orbit. These high-end devices, set up properly, are powerful enough to kill some motile parasites and even see use as ozone generators, but they are aquaculture tools, not designed for backyard ponds. Hobbyist UV units will cost between $50 to $300, depending on the design and durability. They run with bulb capacity between 25 to 100 watts as a rule, the bulbs retaining their punch for about a year. The key to their effectiveness is the amount of time the water piped into the unit stays there. Most hobbyist UV units are set up with 1-inch or 1 ½ inch connectors to slow the flow. For this reason, the UV unit should always be set up on a diversion loop on your filter outlet pipe so that full flow back to the pond is not impeded, remembering that this fits in after the water has been mechanically and biologically filtered. UV in this application does not kill anything. It does cut down on floating algae by damaging its ability to reproduce. It will not affect anything in the pond itself, so don’t expect all that hair algae to disappear. These units need their bulbs changed out every year, and the plastic-bodied devices tend to get brittle after a few years of UV exposure and will disintegrate. Look for UV with stainless steel chambers and robust fittings. In general, UV is affordable and works well within its narrow application.

MAGNETISM! Nobody knows what magnets do when you wrap them around pipes. We do know that they do not affect algae.

IonGen: This infernal little device kills algae. And plants. And, eventually, fish. It is a block of copper or zinc hooked up to a DC power source and then exposed to your pond water. It uses the Mad Science principle of electrolysis to erode the metal, releasing molecular copper or zinc into the water. As it operates, the metallic ion concentration becomes toxic enough to kill off algae (leaving the organic pollutants in the pond for you to deal with). As the unit continues to run, levels of copper can easily reach levels toxic to fish. Everything dies. Do not waste your money. There are better solutions to this problem.

Ozone: Oboyoboyoboy! High-tech Mad Science! Ozone is the ultimate oxidizer. It breaks down proteinaceous waste, kills parasites, kills algae, kills bacteria, and if it gets out of control, toasts off fish gills. Alan LaPointe, the head water-quality guy at the Shedd Aquarium wears a beeper 24-7. It connects him to the equally 24/7 monitoring staff whose job is to watch the ozone levels.  All The Time. He says that if you are not prepared to exert this level of effort and vigilance, do not do ozone.

So now what? You got your UV and you still got algae. Maybe less than before, and more hair algae than floating, but still algae. Now is the time to remember what promotes algae growth. Warm water. Sunlight. Food. Food? Algae eat ammonia. Fish make ammonia. You got lotsa fish. The algae are happily taking the ammonia out of your system and converting it into plant. You want it to stop? Get rid of the ammonia. You need MORE FILTER!

Prefiltration: Koi are bottom-feeding fish that love mud. In their natural habitat, you’ll never see them. Koi keepers are natural voyeurs and want to see their fish all the time. “Gin-clear” water is the holy grail of the backyard ponder, even if it’s not the ideal habitat for a carp, and that means no floating crud. Getting the big, visible chunks-‘o-stuff out of the water improves the pond’s appearance and reduces the amount of time you’ll have to spend flushing the crud out of your biofilters. Prefilters range in complexity from a piece of filter mat wrapped around that submersible pump to stainless steel screens with holes too small to see. Oddly, as the complexity of the device increases, maintenance on the device decreases. What’s most important here is that the water hits this first, before the biofilter and definitely before the pump.

Seives: Usually a plastic basket that fits over the inlet of your submersible. Fouls instantly. Also found as a basket on the inlet side of dry-land pumps. By itself, also high-maintenance.

Foam pads and mats: Placed somewhere between the inlet to your pump and the pump itself, usually contained in a box or just wrapped over the inlet, these have the advantage of being simple and cheap. The downside is that they foul quickly and need to be cleaned frequently, often twice a day at the season’s peak.

Vortex: Basically a big tub with a conical bottom. Water comes in passively from the pond and enters the tub in such a way as to create a constant swirling motion. Larger particles settle out to the bottom and the cleared water is drawn off the top and sent on to the filter or the pump. Simple and easy to maintain, but it takes up a lot of space.

Turbovortex: This is a prefilter adapted for closed systems. It is very compact, basically a small upflow filter partially filled with a coarse mechanical media. ¾-inch bioballs are most frequently used. It does need daily backflushing and the valving systems available to allow you to do this range from “instant-foul-and-fail” to “impossibly arcane”. I have one. It works. Don’t ask how.

High-tech sieve: These range all the way from self-contained large-volume sieves in flashy stainless cylinders to elegant bow-screen sieves with teeny-tiny holes and elaborate backwashing systems.

As the complexity of the system increases, so does the thoroughness of the mechanical prefiltration and the cost. Adding prefiltration boosts the efficiency of your bioconverters, but you’ll need to shop around to find the prefilter that fits your pond best.

Biofiltration: The idea here is to provide the maximum amount of surface area for your filter bacteria to stand on in the minimum amount of space. Biofiltering bacteria rely on biofilms which stick to surfaces. Filter media which provide a very high surface area for a given volume and do not foul or clog are preferred, as are the systems that use them. The system needs to fit the requirements of your pond from the standpoint of flow and volume and be compatible with whatever pumps you are using. It needs to be reliable and easy to maintain and clean. Beyond that, nothing else matters. Open system, closed/pressurized, Nexus, home-built. They all work. The limiting factors are cost, space and physics. The critical point is whether the system is capable of keeping ammonia and nitrite at or around zero on a consistent basis, regardless of the stress. If it can’t, you need more filter. If it can, you don’t have an algae problem anymore. You do have happy fish. If you have multiple systems, they need to be hooked up in parallel if you have only one inlet. If you have both a skimmer and a bottom drain, split the systems and run them independently, each with its own pump, prefilter and biofilter. This redundancy gives you some safety if either of the systems dies. It also gives you more pipe room to add more toys. Gadgets! Remember?

Dissolved Organics: Otherwise known as protein, foam, gunk, sludge and “that funny brown color that my pond turns in the summer. This is the result of natural processes that involve broken-down sloughed slime coat from the fish, dead bacteria and decomposed plant material. Besides being responsible for that ugly bubbly foam at the base of your falls, it is also a pollutant that degrades water quality and fish health. Better it should be gone. Water changes will dilute it, but getting rid of it requires a Protein Clarifier. Otherwise known as foam fractionators, these have been available to aquarium hobbyists, especially the salt-water reef guys for a long time. Ponders, only in the past five or six years. The principle is simple. Agitate the water enough (Venturi, air or both) and it foams. Foam floats and can be skimmed off, returning the defoamed water to the pond. Commercial units (Clarity and others) are available and adaptable to just about any filter system, and like any purpose-built manufactured gadget, cost big bucks. Generally 900 to 1300 dollars. A brisk search through Google reveals several plans for do-it-yourself projects, mostly involving novel uses of various bits of PVC. These work just as well, and bring the cost down to around fifty bucks. Either way, it is worth the time, money and effort.

Degassing: The end product of biofiltration is Nitrate. The end product of buffering (pH balancing) is carbon dioxide. Both can accumulate and both can negatively affect fish health. Luckily, both are governed by chemical reactions that have a gas at one end of the equation. Get rid of the gas and you get rid of the toxin. Ma Nature provides for this with waterfalls. Big, rough, splashy waterfalls. The idea is to maximize the contact between water and air with turbulence at the air/water interface. Airstones DO NOT DO THIS! They are great at moving water, but there is just not enough surface area on each of those spherical bubbles to allow enough gas exchange to matter. The simplest solution to this problem is to engineer in big splashy waterfalls and fast shallow streams and rapids when you dig the pond. Otherwise, you need more GADGETS(!).

Trickle towers are the simplest and cheapest solution to this problem. In their basic form, they are an upright row of 4-inch PVC pipes filled with coarse filter media (usually bio-balls) standing on end in a trough with an outlet to the pond. Water is pumped to the top of the array through a pipe with holes drilled to allow water to pour freely over the media. CO2 and N2 are released, Oxygen is introduced and the water and fish benefit.

Bakki showers employ the same principle. Water pumped to the top of the system through a spray bar is dumped into a perforated trough filled with coarse filter media. It splashes down to another similarly loaded trough, and another and maybe another and then back to the pond. The media can be ferociously expensive imported Japanese ceramic logs or Tuffy sponges. The system can be a glossy array of purpose-built stainless steel or a stack of plastic window boxes supported by 2x4s. The principle is the same, as is the end result.

Bioreactors work a little differently and are more efficient biofilters while still allowing for efficient degassing. Basically a large barrel with airstones at the bottom hooked to a powerful air pump and filled with a neutrally buoyant media such as Kaldenes. Water flows in from one side of the barrel and exits out the other side as the bubbles agitate the media. This is a low-flow gravity-drained system, more compact and concealable than trickle towers and Bakki showers. Also home-buildable.

Air: Air pumps are one of the essential tools in ponding that everyone forgets and then adds as an afterthought, usually assuming that they’ll solve the dissolved oxygen problems mentioned above. They won’t, but air has lots of other uses. How you supply it depends on what you want it to do.

Agitation: Air moves water better and cheaper than anything else. Once your pond is set up, watch for places where debris collects, both on the surface and on the bottom. These are dead spots and will become home to sludge, anaerobic bacteria and parasites. An airstone supplied by a robust pump will move water out and eliminate the dead spot.

Winter: One of the older techniques for maintaining an open area on an unprotected pond’s surface. Robust air pump, airstone one foot below the water’s surface. Voila! Hole!

Gas exchange: This is your bioreactor speaking…(also your Nexus and Helix filters!)

Filter backflush: Pressurized filters, regardless of the media used, accumulate sludge as a consequence of mechanical and biological activity. As long as the stuff is in the filter, it poses the same risk as it does in your pond. Most filter backwash cycles don’t generate enough turbulence within the filter to shake the crud off the media and the subsequent fouling degrades filter flow and efficiency. Adding an air blower step to your backflush sequence amps up the agitation of the media, shakes out a lot more of the dead stuff and makes the whole backflush process more efficient.

Heat (Southern and Southwestern ponders may ignore this bit): Ice and snow are not your friends, no matter how much you like skiing and skating. Your fish hate it. Ice seals off your pond’s surface, trapping the gaseous breakdown products of the decomposition of that junk on the bottom in the water. Snow carries pollutants and causes major temperature fluctuations. Open water, protected open water is best.

Trough heaters are available everywhere, their purpose is to maintain a small open area on the surface of the water trough so the cows, goats, sheep and horses can get a drink in the winter. When applied to a backyard pond, they have a nasty tendency to fail catastrophically, usually on the coldest days, either just dying and allowing the pond to freeze over, or shorting out, dying while delivering a jolt of 120-volt AC to your fish. This can cause permanent spinal injuries and deformity. These gadgets are inexpensive, but their failure rate under adverse conditions make them a false economy.

A reasonable middle-road solution is to cover your pond in the winter with a poly-house. These are available as kits and I know of at least one business in the Chicago area that will design and build it for you, then set it up in the fall and strike it in the spring. They are relatively inexpensive (cost depending on size, of course) and have the advantage of protecting your pond from environmental changes. With a little added heat to the air under the plastic, your water stays liquid and your pumps can run year-round. Locally, Midwest Trading in St. Charles, IL sells the kits.

At the other end of the scale are the purpose-built pond heaters. Either electrically powered or gas-fired, the best of them use a countercurrent flow heat exchanger to heat the pond water. Expensive to buy, expensive to install and expensive to run, they still give you the most accurate control over your pond’s water temperature available, short of installing your pond indoors. You don’t want one of these unless your pond is covered. You don’t need one if your pond is indoors.

Finally, Power: A backyard ponder is wholly dependent on electricity for the operation of pumps, heaters and all the other stuff needed to keep his water clean and his fish alive. One major, prolonged power outage is enough to kill the pond and everything in it. An emergency electrical generator is a wonderful thing to have. Small gasoline-powered generators are relatively cheap and available at any Home Despot-equivalent, but have the drawback of requiring constant tending and your presence on-scene at the beginning of the outage. An automated whole-house unit with a computer sensor that can sense the power loss and switch on the generator automatically, as well as turn it off when power is restored is a much better deal, especially if what you buy has enough punch to maintain your house electricity as well. In fact, that is how you tell a Ponder from a Normal Person. The Normal Person will buy a generator and the first protected devices are his entertainment system and the central air conditioner. If his S.O. has a big enough stick, the kitchen is usually next. A ponder dedicates the first four circuits to the pond and isolation tanks. Whatever is left over goes to the freezers where the high-end koi food is stored. Then the kitchen. All of these devices can run on gasoline, propane and natural gas with minor adjustments.

Ponding is a lot like model railroading. The layout is never done. There is always one other thing you can add to make it PERFECT.

Bob Passovoy

June, 2016

 

 

Alright, Why Should I Go To a Koi Show?

If you are reading this article, it means that you have clicked on its title on this site, which also means that you’ve got at least a passing interest in ponds, fish, plants and the hobby in general. Many of you may have goldfish, some of you may have koi, and all of you have questions.

 

Questions like: “What kind of fish is that?”

“Why is my water that funny color?”

“What is that smell?”

“Why are all my fish swimming upside down?”

“Where can I rent a bulldozer?”

 

If you’re a little better at the hobby than that, questions about equipment upgrades, water testing, pond chemicals, fish health and access to better quality fish are more likely to be on your mind. A good-sized koi and goldfish show is the ideal place to go to find answers to all of these and more. They are gatherings of the most knowledgeable hobbyists in the area, who are there to exhibit the best fish in their ponds and compete for prizes. Also in attendance will be a wide variety of vendors, who provide services, equipment and livestock for the hobby. Shows will frequently sponsor seminars and speakers on a wide variety of topics which are open to all attendees.

What is even better, almost everybody present is, in one way or another, an enthusiast, and more than happy to share experiences, solutions, disasters and help at the drop of a question. It is incredibly easy to get a water gardener talking. The hard part is getting them to shut up. Ask a question; present a problem, within an hour you’ll have twenty suggestions and solutions. They may not all work for you, but every one of them has, at one time or another, worked for someone.

Koi shows are noisy, sometimes chaotic, invariably wet, and always fascinating fun. Come join us!

 

Bob Passovoy

President

MPKS

 

The Midwest Pond and Koi Society sponsors a Judged Koi Show and Pond Trade Show (June 24-26, 2016) at the MAX in McCook, IL. See their website, www.mpks.org, for more details.

 

Brief bio: Bob Passovoy stumbled innocently into ponding twenty-three years ago when his wife decided she wanted a water lily. He now operates a 4400 gallon koi pond with 28 koi, a 550 gallon swamp with fancy goldfish, a filtration system that’ll give you nightmares, and (because he left the room at the wrong time), the largest water gardening club in the Midwest.

Poisonous Plants


We’re not saying you shouldn’t plant these; just consider their placement carefully.

Bushes and Trees Toxic parts
Daphne mezereum berries
Ginko fruit
Laburnum anagyorides pods and seeds
Privet berries and leaves
Prunus (peaches, apricots, plums, cherries) pits
Rhododendron all parts
Taxus (yew) seeds, needles, branches
Viburnum opulus (snowball bush) berries

Vines Toxic parts
Aristolochia durior (Dutchman’s Pipe) all parts
Wisteria sinensis, W. floribunda leaves and berries

Perennials Toxic parts
Aconitum (Monkshood) all parts
Arum maculatum (Wake Robin) A. italicum berries
Brugmansia/Datura stramonia (Angel’s Trumpet) all parts
Colchicum autumnale (Autumn Crocus) all parts
Convollaria majalis (Lily of the Valley) all parts (including water the flowers have been kept in)
Daffodil, Narcissus, Jonquil all parts
Delphinium (Larkspur) all parts
Digitalis purpurea (Foxglove) foliage and seeds
Euphorbia (Snow on the Mountain) sap
Hedera helix (English Ivy) berries
Helleborus Niger (Christmas Rose) all parts
Hyacinthus bulbs
Lantana camara unripe fruit
Milkweed sap
Polygonatum (Solomon’s Seal) same as Lily of the Valley
Rincinus communis (Castor Bean Plant) seeds

The Nightshades Poison: solamine
Atropa belladonna (Belladonna) berries
Lycopersicon lycopersicum (tomato) green fruit (if eaten in quantity)
Solanum dulcamara (Bittersweet) unripe berries
Solanum nigrum (deadly nightshade) berries
Solanum tuberosum (potato) all parts but tubers; tubers if green

More — by family
(drawn from the Thompson & Morgan Seed Catalog)

Apocynaceae:
Catharanthus (Periwinkle) Vinca
Asclepiadaceae:
(Milkweeds)
Berberidaceae:
Berberis (Barberry) Podophylum
Boraginaceae:
Echium –also attracts bees, if anyone’s allergic

Campanulaceae:
Lobelia

Caryophyllaceae:
Agrostemma (Corn Cockle)
Arenaria (Sandwort, Scotch Moss)
Caryophyllus (Carnation)

Cornaceae:
Chamaepericlymenum

Compositae:
Doronicum (Leopard’s Bane)

Crassulaceae:
Sedum (Stonecrop)

Convolvulaceae:
Convolvulus (dwarf morning glory)
Ipomoea (morning glory)

Ericaceae:
Kalmia
Euphorbiaceae:
Euphorbia (Spurge)
Ricinus (Castor Oil Plant)
Plumeria – Frangipani
Leguminosae:
Caesalpina ( Bird of ParadiseFlower)
Cytisus (Broom)
Lathyrus (Everlasting Pea)
Lupin (Lupine)
Robinia
Sweet Peas
Ulex (Gorse)
Wisteria
Liliaceae:
Convollaria (Lily of the Valley)
Fritillaria
Gloriosa
Lilium
Polygonatum (Solomon’s Seal)

Linaceae:
Linum (Flax)

Papaveraceae:
Argemone (Prickly Poppy)
Glaucium (Horned Poppy)
Papaver (Poppy)

Primulaceae:
Cyclamen
Ranunculaceae:
Adonis (Pheasant’s eye)
Anemone (Wind Flower)
Aquilegia (Columbine)
Caltha palustris (Marsh Marigold)
Clematis
Delphinium
Helleborus (Christmas Rose)
Larkspur
Pulsatilla (Pasque Flower)
Ranunculus
Thalictrum
Rosaceae:
Chaenomeles japonica (Quince)
Solinaceae:
Datura (Angel’s Trumpet)
Nicandra (Shoo Fly Plant)
Nicotiana (Flowering Tobacco)
Solanum (Winter Cherry)
Scrophulariaceae:
Digitalis (Foxglove)
Linaria (Toad Flax)

Verbenaceae:
Lantana

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Showa – The King of Nishikigoi by Bryan Bateman

If you like the look of power and grace working in unison, then Showa might be the fish you are looking for, with its bold, wrapping black markings that complement the colors of red and white to create a dynamic panorama in three colors. Showa is considered one of the “big three” along with Kohaku and Sanke, and at most koi shows, one of these varieties will usually win Grand Champion.

A Showa can be recognized by any of several easily identifiable characteristics. As already mentioned, three colors must be present, but it is the placement of these colors that sets the Showa apart from other three-colored fish. Black should appear somewhere on all parts of the body – the head, trunk, and caudal (or tail) section. This black should appear as large wrapping bands or bold patches, sometimes connecting with each other.

Traditional or Old-Style Showa

Traditional or Old-Style Showa

Kindai or Modern Showa

Kindai or Modern Showa


A Showa should begin (somewhere near the nose) and end (somewhere near, but not into, the caudal fin) with black. Black also normally appears at the base of each pectoral fin as an added enhancement. The red should appear much as a kohaku pattern, that is, in artistic but simple patterns throughout the body. A normal ratio of the three colors is 1/3 of each, but variations from this are acceptable, and are largely a matter of personal preference.

Selecting a young Showa can be a tricky proposition. This is because the black doesn’t usually appear fully until 3 or 4 years of age. To complicate matters further, if a baby showa has black that appears “complete”, it may very well disappear, and reappear years later in totally different locations!

For this reason, it is best to select a showa with an attractive kohaku (red and white) pattern, but with hints of black to come, which will appear as bluish shadows beneath the skin.

A more recent development in the Showa variety is known as “Kindai”, or modern, Showa. This type of Showa is more delicate in appearance, with more white than red or black, and with the black and red appearing in distinctly different locations from each other rather than overlapping as on traditional Showa.

Whichever type of Showa you like, you should have at least one of these in your collection. With loving care and a little bit of luck, it may well become the King of your pond.

© Bryan Bateman 2009

Kohaku – The Queen of Koi by Bryan Bateman

If Showa can be called the King of Koi, then Kohaku certainly wears the Queen’s crown. This red and white beauty is one of the “big three” in koi shows, along with Showa and Sanke, which are both three-colored koi.

An old adage goes something like “The road to nishikigoi begins and ends with kohaku”. This refers to the attraction that the simple beauty of red on white has to the beginner, and to the many intricacies and challenges that this variety presents to the advanced hobbyist. Indeed, the first koi many of us see is a kohaku, to which we inevitably respond: “My what a pretty goldfish!”. Not until we buy it, take it home, and watch as it grows. . and grows. . . and grows. . . do we finally realize that this is no ordinary “goldfish”. The road to Nishikigoi has begun.

Later, when many of us take to showing koi, and have collected examples of our favorite varieties, we begin to search for that “special” kohaku. We learn that there are certain rules that need to be followed when it comes to a kohaku pattern. For instance, we don’t want the head covered in red and we prefer not to have red in the fins. Ideally the red comes to just past the eyes, leaving the rest of the head down to the mouth in white. An attractive exception to this rule is “kuchibeni”, or “red lipstick”, which is self-explanatory.

Kohaku with kuchibeni (lipstick)

Kohaku with kuchibeni (lipstick)

Also, the pattern should be bold rather than spotty, and it should wrap down to the midline or lateral line, giving the koi a powerful look. The classic pattern is a three-step pattern, which would have one red marking on the shoulder area, a large marking at the middle section, and a smaller red mark just before the tail. Similar to the “head” rule, the tail should also end in white. This is called a “tail stop” and refers to the last red marking stopping about ½ inch from the beginning of the tail fin.

Another popular pattern is the lightening, or inazuma, pattern. This is a single red marking zig-zagging down the entire length of the koi. Balance of the pattern is important also. It should look pleasing to the eye – not too heavy on one side or the other. Finally, the edging of the red, known as “kiwa”, should be sharp and clean. A blur at the leading edge (towards the head) is OK if it is only one scale wide. All of this red should sit on a canvas of pure porcelain-like white.

San Dan (Three-step) Kohaku

San Dan (Three-step) Kohaku

All-Japan Kohaku with an Imazuma (Lightning) pattern

All-Japan Kohaku with an Imazuma (Lightning) pattern


Next time you are visiting a trade show or a koi dealer, take the time to study the kohakus. Bowl five or six of them up – study patterns. Study body shapes. Study color and skin quality. Maybe you’ll spot a “special” kohaku that will take you a little further down the road that is Nishikigoi.

© Bryan Bateman 2009

Sanke – The Elegant Koi by Bryan Bateman

We have previously discussed Kohaku and Showa. We now introduce Sanke, the third of the group of koi known as “Gosanke”. These three varieties traditionally win most major awards at koi shows.

In most cases a Sanke can be easily recognized by the characteristic kohaku pattern (red patterning on a white fish) accented with black markings scattered about the body much like stepping stones. As with many varieties, there are a few “rules” which should be followed. One of these is that the head should be free of any black markings. Another is that the pectoral fins should have “tejima”, or thin black stripes, extending from the pectoral joint to about one-half the length of the fin. Other than these two rules, it becomes much a matter of personal taste as to the location, size, and number of black markings.

In judging Sanke, a judge will consider the overall balance of the red and white markings – how well they compliment each other. If the black markings are concentrated in one area, such as near the tail, or all on one side, it creates an un-balanced and busy look. There should be a “focal point” on a Sanke, which would be a fairly large black marking on one shoulder. This is important enough to have its own name: “Kata Sumi”. Another appreciation point is that the black markings should be located on the white rather than on the red. This creates a more elegant and refined impression.

Sanke 2Sanke


In selecting young Sanke, in addition to the standard checklist of good health, solid body structure, and good skin quality, you should look for a pleasing kohaku pattern. A two- or three- step pattern tends to look very nice on a Sanke because there will be several white areas upon which the black stepping stones will hopefully appear. As with most varieties exhibiting black coloration, we cannot predict for sure where these markings will be. This is one challenge of selecting a baby Sanke. Most will have black markings as Tosai (one-year-olds), but these will frequently fade away to be replaced by permanent markings by the third year or fourth year. In general, the permanent black markings will be at approximately the same locations as the “baby black”, but you can also look closely for faint gray markings, which will emerge later as normal black.

© Bryan Bateman 2009

Goromo – An Amazing Breed by Bryan Bateman

Of all the beautiful varieties of koi that have been developed over the years, to me the Ai Goromo takes the prize as the most amazing accomplishment by the breeders of Japan. Ai Goromo is easily recognized by the delicate blue edging, or reticulation, on each red scale on a pattern of what would otherwise be a kohaku. Its cousin, the Goshiki, is an interesting contrast with its typical blue edging on the white. These two varieties are frequently combined as a single variety for koi show purposes.

Ai Goromo

Ai Goromo

Budo Goromo

Budo Goromo

Sumi Goromo

Sumi Goromo


Two sub-types of Goromo, Sumi Goromo and Budo Goromo, are not as elegant or refined in appearance, and consequently don’t generally compete very well in shows against a good Ai Goromo. Sumi Goromo has a much darker and heavier edging, and the Budo Goromo has “grape clusters” (translation of “Budo”) mixed in with the normal reticulation. These two sub-types can sometimes be mistaken as shiro utsuri (black and white koi) due to the dark ai (blue) almost completely covering the red, but if you look closely you will see the red appear as a dark purple thru the almost black pattern.

Ai Goromo was probably developed by crossing an Asagi with a Kohaku. As a result of this cross, the Ai Goromo inherited a striking bluish-white background from its Asagi parent.

When selecting a young Ai Goromo, look for one with an attractive kohaku pattern and with reticulation that is barely visible if at all. This is why this variety is such a challenge to collect. You must be sure of the parentage, and even then there can be no guarantee that the reticulation will come, or that it will be even. The reticulation tends to darken and thicken with age, so if you buy a young (one or two years old) Goromo that appears to be a nearly finished Ai Goromo, the chance is very good that it will darken and become either a Budo or a Sumi Goromo. If, on the other hand, you are lucky enough to find one that develops into this most rare beauty, with each red scale outlined in a thin crescent-moon of blue, it will take your breath away. Happy hunting!

© Bryan Bateman 2009

Goshiki – “five-colored” by Bryan Bateman

I have always been fascinated with the Goshiki variety, with its many variations of color, reticulation and pattern. Recently goshiki have been divided into two sub-types: Light, or mameshibori (also sometimes called kindai) goshiki, and dark, or kuro goshiki.

The light version looks much like a kohaku but with thin crescent-shaped dark blue reticulation appearing on the white skin, whereas the darker kuro goshiki sometimes has reticulation on the red as well, with the white area becoming almost completely dominated by heavy dark blue reticulation – appearing almost like black or dark purple rather than white.

Kuro Goshiki All- Japan

Kuro Goshiki All- Japan

Mameshibori Goshiki

Mameshibori Goshiki

 

The original meaning of goshiki is “five-colored”. These colors are white, black, red, light blue, and dark blue. When mixed on some goshiki (i.e. kuro) the ground (main, or background color of the body) can appear as purple, which makes for a really cool looking fish!

This variety was originally placed in the kawarimono (or “miscellaneous”) class for judging purposes, but due to great efforts to improve and refine the variety, it was recently upgraded to a combined koromo/goshiki class.

The reason these two varieties are combined into one class is that they are of the same genetic blend – kohaku and Asagi. The kohaku gene contributes the red patterning on a white background while the Asagi gene contributes the reticulation. In the case of koromo this reticulation is restricted to the red areas, while with goshiki the reticulation is usually restricted to the white areas (the exception being kuro goshiki as mentioned above which sometimes has reticulation on both the red and white areas).

Two popular variations of goshiki are goshiki sanke ( aka goshiki sanshoku) and goshiki showa. These will appear as normal goshiki with added small black patches in the case of goshiki sanke or with added larger black wrapping markings in the case of goshiki showa. Both of these types are placed in the kawarimono class for judging purposes.

Doitsu Goshiki

Doitsu Goshiki

Goshiki Showa

Goshiki Showa


When selecting a young goshiki for your collection you should first look for a pleasing kohaku pattern. Sandan (three-step) is ideal on a goshiki because it provides for a large amount of white area to accentuate the reticulation. Judges are a bit more lenient regarding the placement of the red on the head of a goshiki. For example, a goshiki with either too much or not enough red between the tip of the nose and the eyes will be acceptable as long as the red is bright and clean and the white provides a pleasing background, giving the koi an artistic look.

The fins should be either all white or can have red at the base (moto aka). The reticulation should be even (not irregular or splotchy appearing) and the red should appear almost to be floating on the ground – a unique characteristic of high quality goshiki. Young goshiki will often appear to be kohaku, as the reticulation normally does not appear until later. You have to trust your dealer in this respect, who should know the lineage of the fish he is selling.

Whether you fancy the kuro goshiki or the elusive ( ‘been looking for one for years!) mameshibori goshiki, this variety will certainly delight and will be a big attraction in your pond.

© Bryan Bateman 2009

Utsuri – Shadow and Light by Bryan Bateman

Shiro Utsuri (pronounced SHE-row oot-SOO-ree) is a member of the Utsuri class at koi shows, which also includes Ki Utsuri (yellow and black), and Hi Utsuri (red and black). Of these three, the Shiro Utsuri, or white and black koi, is by far the most popular, and will often compete with Gosanke – Kohaku, Sanke, and Showa – for Grand Champion at koi shows.

Shiro Utsuri

Shiro Utsuri

 

“Utsuri” translates from the Japanese as “reflection”, which refers to a tendency these koi have of displaying alternating markings, much like a checkerboard, on their bodies. Modern patterns vary, however, from the traditional checkerboard type to a limitless array of artistic interpretations. We see banded “bumble-bee” patterns, or we may see continuous “inazuma” or lightning type patterns that run to and fro over the entire koi from head to tail, or maybe a koi with just a few brush-mark splashes of sumi seeming to float on a sea of white.

A similar variety often confused with Shiro Utsuri is Shiro Bekko, which is also a black and white koi. The difference between these two types lies in the location and shape of the black markings. While Utsuri normally exhibit larger, wrapping black markings, which will often appear on the head as well as on the body, Bekko are distinguished by the small stepping-stone type of markings appearing on the body but not on the head, much like we see on Sanke.

The ratio of black to white on a Shiro Utsuri is largely a matter of personal preference, but in koi shows, a Shiro exhibiting a greater proportion of white to black will generally fare better.

Shiro Utsuri - inazuma and motoguri

Shiro Utsuri – inazuma and motoguri

Other appreciation points are that the pectoral fins should have moto guro, or black patches, at the base of each fin, and that the other fins should be all or mostly white.

The black pattern should have an artistic balance that is pleasing to the eye, with not too much front vs back or side vs. side, and there should be some black on the head region – preferably forming an eye-catching complement to the overall pattern. This contrast of black and white, with no other colors, creates a beautiful and intriguing fish which will complement any koi pond.

Hi (red) Utsuri

Hi (red) Utsuri

Ki (yellow) Utsuri

Ki (yellow) Utsuri

© Bryan Bateman 2009

Kumonryu – The mysterious ever-changing koi by Bryan Bateman

One of the most interesting varieties from a developmental standpoint is the black and white, scale-less Kumonryu. It comes from a long line of koi beginning with a dark-colored magoi variant called a Tetsu Magoi. From crosses with this koi many years ago an all black koi was developed called a Karasu (crow).

Some of these koi had white fin tips, which were singled out and further cross-bred to create koi with more and more white. Eventually a black koi with a white head and white fins was developed called a Yatsushiro.

The first kumonryu, which is merely a doitsu (scaleless) version of a yatsushiro, was created when a shusui (doitsu koi with red lateral markings and a bluish body color) was crossed with a yatsushiro.

One way to tell a kumonryu from a doitsu shiro utsuri (also a black and white scaleless koi) is to look closely at the white skin. A kumonryu will have a bluish tint, inherited from its shusui parent.

The other difference between the two is the genetic tendency of the sumi (black) to appear as a wrapping pattern on Utsuri, while it appears more as a lateral-type pattern (running lengthwise) on Kumonryu.

Kumonryu All- Japan 2008

Kumonryu All- Japan 2008

Kumonryu (Ray Jordan)

Kumonryu (Ray Jordan)

From the first kumonryu many breeders have developed variations in the patterning, including some truly spectacular specimens reminiscent of a killer-whale type of pattern. The problem is, these koi have a nasty habit of changing colors from season to season (black becomes white and white becomes black!) and also changing their patterns from year to year, so that you may not even recognize your own koi if you don’t watch it closely!

For this reason, it is difficult to select a baby kumonryu. They tend to develop more black as they mature, so some hobbyists recommend purchasing predominantly white babies. If you really want to increase your chances of getting a good specimen, and your budget and pond can handle it, perhaps purchasing two or three of them would make sense. These koi are a lot of fun to own and provide endless fascination as they change their patterns from season to season and from year to year.

© Bryan Bateman 2009